Jean-Honoré Fragonard
1732–1806 · Rococo & Neoclassicism
Biography
Jean-Honoré Fragonard (1732–1806) was one of the last great painters of the Rococo, known for his light-hearted, sensual scenes and virtuoso brushwork. The French Revolution ended the taste for his art.
From the artist’s life
In 1770 Jeanne Bécu, better known as Madame du Barry (pictured), the last mistress of the French king Louis XV (r. 1715–74), commissioned Fragonard to decorate the newly built Pavillon de Louveciennes in the Île-de-France. The Neoclassical garden pavilion, built to designs by the architect Claude Nicolas Ledoux, was created for Madame du Barry on the estate belonging to the Château de Louveciennes so that she would have a view of the Seine valley, which the earlier buildings had not afforded. The four large works Fragonard painted for the reception room — the series The Progress of Love, including The Pursuit and The Meeting — were not particularly successful, perhaps because their florid Rococo style did not suit the Neoclassical building.
From the page of The Swing
Paintings in this gallery (2)
Famous works elsewhere
- The Lock 1777
- The Stolen Kiss 1790
- Blind Man's Bluff 1760
- The See-Saw 1750
- The Bathers 1765
- The Chemise Withdrawn 1770