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Ophelia

John Everett Millais · Symbolism & Art Nouveau

Artist
John Everett Millais (1829–1896)
Date
1851–1852
Dimensions
76.2 x 111.8 cm
Medium
Oil on canvas
Location
Tate Britain, London, United Kingdom

Millais’s Ophelia depicts the death of Hamlet’s beloved in Shakespeare’s play: driven mad with grief, she falls into a stream and drifts, singing, until her heavy clothes drag her under. She floats on her back, eyes open, hands raised.

A closer look

Millais painted the riverbank first, spending months by the Hogsmill River in Surrey, recording every leaf, flower and reed with botanical precision. The flowers carry meaning: poppies for death, violets for faithfulness, pansies for love in vain. He then painted Ophelia in his London studio. His model, Elizabeth Siddal, posed for hours in a bath of water kept warm by oil lamps; when the lamps went out unnoticed, she fell seriously ill.

History of the painting

At the Royal Academy in 1852 Ophelia received mixed reviews, but it had already been sold to the dealer Henry Farrer for 300 guineas. It passed through several collections until the sugar magnate Henry Tate bought it, and in 1894 he gave it to the nation as part of the founding collection of his new gallery at Millbank, today's Tate Britain. It is now one of the gallery's most popular works, and it has been lent to exhibitions around the world.

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