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Self-Portrait with Two Circles
Rembrandt · Baroque & Dutch Golden Age
- Artist
- Rembrandt Harmenszoon van Rijn (1606–1669)
- Date
- c. 1665–1669
- Dimensions
- 114.3 x 94 cm
- Medium
- Oil on canvas
- Location
- Kenwood House, London, United Kingdom
In one of his last self-portraits, Rembrandt shows himself standing in his studio wearing a fur-lined robe and a white cap, holding his palette, brushes and maulstick. Behind him, two large circles are drawn on the wall.
A closer look
The face, built up with thick, worked paint, is that of an old man who has known fame and bankruptcy, looking at us with calm self-awareness. The hands and tools are only roughly sketched, as if the painting itself were unfinished. The meaning of the two circles remains a mystery: they may refer to a legend about an artist who proved his skill by drawing a perfect circle freehand, to world maps, or simply to the artistic theory of balance.
History of the painting
The self-portrait was bought in the late 19th century by Edward Guinness, later the 1st Earl of Iveagh, head of the Guinness brewing company and a major collector of old masters. In 1925 he bought Kenwood House, an 18th-century villa on Hampstead Heath, and on his death in 1927 he left the house and his paintings to the nation. Since Kenwood opened to the public in 1928, the Rembrandt has been the centrepiece of the Iveagh Bequest, and entry is free.
More by Rembrandt
In this gallery
The Anatomy Lesson of Dr Nicolaes Tulp
The Night Watch
The Return of the Prodigal Son
The Storm on the Sea of Galilee
Belshazzar's Feast
Danaë
Bathsheba at Her Bath
Syndics of the Drapers' Guild
The Jewish Bride
Famous works elsewhere
- Self-portrait 1669